RUN LOLA RUN
POTENTE, FRANKA

t's difficult to create a film that's fast paced, exciting, and aesthetically appealing without diluting its dialogue. Run Lola Run, directed and written by Tom Tykwer, is an enchanting balance of pace and narrative, creating a universal parable that leaps over cultural barriers. This is the story of young Lola (Franka Potente) and her boyfriend Manni (Moritz Bleibtreu). In the space of 20 minutes, they must come up with 100,000 deutsche marks to pay back a seedy gangster, who will be less than forgiving when he finds out that Manni incompetently lost his cash to an opportunistic vagrant. Lola, confronted with one obstacle after another, rides an emotional roller coaster in her high-speed efforts to help the hapless Manni--attempting to extract the cash first from her double-dealing father (appropriately a bank manager), and then by any means necessary. From this point nothing goes right for either protagonist, but just when you think you've figured out the movie, the director introduces a series of brilliant existential twists that boggle the mind. Tykwer uses rapid camera movements and innovative pauses to explore the theme of cause and effect. Accompanied by a pulse-pounding soundtrack, we follow Lola through every turn and every heartbreak as she and Manni rush forward on a collision course with fate. There were a variety of original and intelligent films released in 1999, but perhaps none were as witty and clever as this little gem--one of the best foreign films of the year.


Price: $11.75

THE DINNER GAME
Thierry Lhermitte

Plot Synopsis: Each week, Pierre and his friends organize what is called as "un dîner de cons". Everyone brings the dumbest guy he could find as a guest. Pierre thinks his champ -François Pignon- will steal the show. Once a week, on Wednesday nights, Pierre Brochant (Thierry Lhermitte) and his circle of snobby friends host an "idiot dinner." Each participant is supposed to invite a guest--the biggest idiot he can find. The object is a sort of idiocy one-up-man-ship as the hosts spend the evening encouraging the guests to talk about themselves and their obscure hobbies (one guest, for example, has a boomerang collection). The "idiot guests", of course, have no idea why they're invited, and they are delighted to find an interested audience. These guests then unwittingly provide the entertainment for the hosts, and the hosts' collective sense of superiority is re-enforced. On this particular Wednesday, Brochant can't find an idiot, but he's tipped off about a certain Monsieur Pignon ( J acques Villeret), a jovial mild-mannered tax official--whose obsession is replicating national monuments by building models composed of matchsticks. Pignon's crowning achievement is a replica of the Eiffel Tower (346,422 matchsticks). So Brochant invites a delighted Pignon to the dinner. Complications arise, however, when Brochant injures his back and cannot attend the dinner. With Brochant trapped and housebound, Pignon is unleashed into Brochant's life. Pignon proceeds to demonstrate his idiot potential by his kind but bumbling blunders. Mishaps involve a zealous tax inspector, a disgruntled mistress, a distraught wife, a discarded ex-lover, and a wealthy Lothario with a secret love nest. "The Dinner Game" is a perfect French comedy. It was originally a play, and you'll get the sense of that as the action takes place. Timing and execution are perfect. Some of the film is laugh-out-loud funny, but the amusement never loses its momentum in this perfectly paced film. The cast is excellent, and part of the humour is derived from the layers to fun to be had here. Sometimes two characters giggle at the misfortune of a third, but then, before too long, the focus of the humour shifts attention and discomfort to another character. The film doesn't miss a beat. If you enjoy French comedy, don't miss "The Dinner Game" from director Francois Veber.


Price: $11.44